When I plugged the AES output from the RayDAT card into the supposedly empty eighth AES slot on the digital patch bay, I found that something else was already there. Hmm. The slot was unlabeled according to my P-touch labels on the rack, so I pulled the cables and figured I'd sort it out later.
Later, I realized those were the inputs from the mic-pre in the studio room, which I use when recording by myself. Oops. I guess I'll need to plug those back in.
There was one SPDIF port left open on the patch bay -- the last port open on the 16-channel patch bay! -- and there was a piece of gear that I had been sending in via AES that could go in via SPDIF, except I had no spare SPDIF cables. So I bought a couple of SPDIF cables (as
As long as I was flat on my back, I swapped the SPDIF I/O for the RayDAT card from position 12 to position 9, which left it sitting one click of the knob away from the RayDAT's AES I/O in position 8. This is convenient, because I can leave position 8 assigned to Cubase and position 9 assigned to Wavelab and the two programs won't fight with each other for control of the digital world. :)
So the digital patch bay now looks like this:
1: (AES) ADAT <-> AES channels 1 & 2
2: (AES) ADAT <-> AES channels 3 & 4
3: (AES) ADAT <-> AES channels 5 & 6
4: (AES) ADAT <-> AES channels 7 & 8
5: (AES) mixer digital mix I/O
6: (AES) mic-pre control room
7: (AES) mic-pre studio
8: (AES) RayDAT AES I/O
9: (SPDIF) RayDAT SPDIF I/O
10: (SPDIF) lesser TC reverb
11: (SPDIF) DAT player
12: (SPDIF) lesser Lexicon reverb
13: (SPDIF) better Lexicon reverb
14: (SPDIF) TC mastering box
15: (TOSLINK) TC Intonator
16: (TOSLINK) better TC reverb
We'll see how long this configuration lasts. :)